Technical Difficulties - TV Colour Keys

Colour Keys for my TV Character. I will decide which one I think works best, then try various weathering effects on it, and pick the final design after that second stage

Fake Title Cards

Title cards I created for a non-existent film.

Celltastic! Background Variations

Here are 6 variations of the background using colours selected from Paletton. These are all the possible colour combinations for these 3 colours.

1

2

3

4

5

6

Here is a GIF I created of the variations of the background, with the title of the show over the top. All the images for this GIF were rendered in Maya, hence why the background looks a bit paler compared to the individual images.

Would people prefer the background as just one of the 6 static options, or animated? Please let me know by leaving a comment stating either the number you prefer or "Gif" for the GIF.

Celltastic! Revamped Logo/Title Card

These are my new designs for the Logo/Title Card for the game show. I am unsure whether to go for the Yellow background, or the Blue background, and would appreciate people's opinions on which of the two works best, and if they have any alternative colours to suggest

Fantastic Voyage: O.G.R. #1

Fantastic Voyage OGR 1 by Joe Warrilow on Scribd

@Phil: Updated Celebrity Concept Art

From Left to Right: Mr. Drumpf, The Boulder, Cooper Bradleyson

Some updated "Celebrity" designs, based them off of actual

 celebrities and not ones of my own creation.

@Phil: Updated Character Concepts

L to R: Celeb Var 1, Celeb Var 2, Celeb Var 3/Younger Man, Figure

I am unsure as to whether to make the character in the light blue top the "Younger Man" Character in my Script, or to make him one of the Celebrities. If I were to make him one of the celebrities, I could work around this by just having the "Younger Man" character  stay in shadow the entire time, so that he appears and leaves in the same shot, kept in darkness from the light coming into the room from the hallway.

I have created a quick re-do of the storyboard panel I am on about to illustrate my idea:

Adobe After Effects/Photoshop: Parallax

I created a painting in Photoshop using multiple layers (5 total), brought the Photoshop file into After Effects and animated it to appear ass if it were panning through an actual 3D space. I based my painting off of various pieces from my "What If? Metropolis" Project.

Adobe After Effects/Photoshop: Parallax from Joe Warrilow on Vimeo.